Friday, November 19, 2010

Aphorisms

Yesterday, my professor gave the whole class a book. For free. I love free things, never mind the fact it came from my least favorite professor. It didn't do anything to improve my opinion of the professor, but I thought I should at least show I was grateful. So, to show the professor that I was indeed grateful for his gift, I figured I'd show my anticipation and giddiness by diving right into it; right at that moment. I suppose I should mention he gave the books out at the beginning of class. Turns out, the book was an absorbing little time waster. It's called Or So I Say: Contentions and Confessions, authored by Robin Skelton, and given the label "A Happenstance Book". It's a collection of aphorisms, or--thanks Wikipedia--, "an original thought, spoken or written in a laconic and memorable form". A book of one-liners; not a collection of others', they were all penned by him. Many I didn't agree with, and he clearly wasn't a Christian, but a few were though provoking:

  • When illness becomes a state of mind, the mind itself is an illness.
  • Age is a matter of attitude, not chronology.
  • The will to succeed is all too often the desire to imitate.
  • You don't get to the top by sitting on your bottom.
  • What is considered self-discipline is often nothing more than self-denial regarded as self-assertion.
  • When my wife tells me I am wonderful I believe her; when anyone else does so I am dubious.
  • I have always been a revolutionary, though never a politician.
  • Autobiography: the fantasies of the self-therapist and the self-justifications of the traduced.
  • The danger of a large vocabulary is the desire to employ it.
  • If all you want is money, money is all you'll get.
  • I detest wearing fancy dress; I am a poor liar.
  • I teach because I must continue to learn.
  • When opportunity knocks, first look through the spyhole.
  • Strength is always an admission of weakness.

Thought provoking, yes; given the right frame of reference. These aphorisms, from the same book, make it clear Skelton's frame of reference isn't the same as mine:

  • God is an adjective, not a noun.
  • When I look again at Christianity I feel as if I am stepping back into a playpen.
  • Those who create a deity are created by it.

This definitely makes him sound like a man dead set against Christianity. But other aphorisms, or as Skelton calls them , "catchphrases with class" make me think there is more to Skelton's views, and hidden is a deep-rooted insecurity:

  • Christians frighten me.
  • At ninety three I suspect that I might not desire reincarnation, but rather fear it.

Why the fear and insecurity? For those of you who attended the Deroche college retreat, this made me think of the final moment of the film Collision, and Hitchens’ moment of seeming insecurity when he said that if there was only one Christian left in the world, he would not convert them to atheism. In Collision, Hitchens is accused, correctly, of suffering from presuppositional  kleptomania. Given Skelton’s conclusions in the first cluster of aphorisms, his vehement denial in the second, and his insecurity in the third, I can’t help but liken Skelton to Hitchens and wonder what the film would have been like had Skelton participated. I guess not a whole lot different.

Sunday, November 7, 2010

Classical-ish

Those you know me well know that I have this thing for classical music, something that is rare in the 21 year old male demographic. Not your boring, run of the mill, solo piano concerto, though I am a sucker for Mozart’s “Rondo Alla Turca”. To really catch my ear, classical music has to have layers; piano and strings, for instance. Better yet, piano backed by a full fledged orchestra. That said, let me share with you some of my favourite classical discoveries. For you snobs, we’ll call them classical-ish.

First up, the Pirates of the Caribbean soundtrack is undoubtedly the best movie soundtrack of all time. Hans Zimmer and Klaus Badelt both do amazing work, depending on which movie you’re watching:

There are other decent movie soundtracks, but none as legendary as this one. Have you heard any better? Let me know in the comments, I’d love to find some new stuff!

Roberto Cacciapaglia—say that ten times fast—is a new favourite. It’s not as up-tempo as what I usually like, but there’s something about the way the music flows. It makes great studying music, because it’s not too busy:

 

Finally, my all time favourite classical artist. William Joseph. No predicate needed. It’s just good music:

Now, down to the real reason for writing this blog. Anybody have any really good classical recommendations for me?

Monday, November 1, 2010

Rain

  It’s a typical November day on the Sumas Prairie. I’m just glad I get to experience it from this side of the picture window, a precious few feet away from the fireplace. The picture is a bit obscured, made fuzzy by the raindrops driven to the window by the restless, gusting wind. I should be doing homework, but the fireplace is emanating cozy feelings in progressively weakening concentric circles, and I’m sitting too close. It’s a funny thing, being so cozy it distracts you.

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